Ni Ni - The Myth IssueNi Ni - The Myth Issue

Bearing the symbols an era assigns her, the goddess Ni Ni plays steps out of the painting into a phantom image of a higher dimension — and arrives as the "goddess" a modern eye makes of her. In the instant inspiration surfaces, she escapes her own divinity, and leaps alive onto the canvas.

The first time 3D Gaussian splatting — volumography — was used in Chinese fashion photography.

Bearing the symbols an era assigns her, the goddess Ni Ni plays steps out of the painting into a phantom image of a higher dimension — and arrives as the "goddess" a modern eye makes of her.

In the instant inspiration surfaces, she escapes her own divinity, and leaps alive onto the canvas.

The Holographic Scenes

Motion & Teaser

On Set